Also FWIW I understand that the furry community has a strong culture of commissioning artists for their work, so that's likely to be a headwind against using genAI that isn't explicitly trained only on licensed materials. Sure, there are likely some who would use it regardless, but I expect the use of genAI to generate furry porn to be at least as toxic within that community as the use of genAI to generate furry porn outside of that community.

I am so happy that people make things like this <3

So this is a post from/for a group of livecoding music jammers, but I think there's value in considering it in broader contexts. In particular, the parts about "let code die" and not being afraid to remove/rewrite large blocks of code really resonated with me because--regardless of the author's intent--they suggest to me a level of competency and familiarity with one's tools and languages that many people have not reached, and may not even realize is possible.

To me, some of the most impactful parts are the ones that talk about how sometimes someone will delete their code, and they'll just. Rewrite it! By hand! From scratch! Because they wanted it to be that way!! How different that seems than the more typical world of issue trackers and code reviews and having just enough time to figure out how to do something once before it's on to the next feature. How tightly we cling to working code, lest it be lost and we have to do it again! Whomst among us has the time?!

But what if we did have the time? What if instead of figuring something out once and then moving on to the next ticket, we erased it and started over? Like an improv sketch ("do it differently!") or learning to paint ("scrape your canvas clean and begin again!") exploring alternatives and reinforcing in our minds what works and what doesn't.

"Do it again" is much less scary, more invitation when you're on the hundred-and-second rewrite rather than the second. You know where the pitfalls are, you've internalized which shortcuts will work and which offer false hope. You can practically do it with your eyes closed, in a matter of minutes rather than days

That's when you can start to get really creative--because the risk of exploration and experimentation is practically zero: if you try something new and it doesn't work, it's trivial to throw it away and replace it with something that does.

Net worth isn't equity - mortgage + 401k. Net worth is assets - liabilities. Equity is not an asset; the house is. So is the 401k. The mortgage is a liability. So Joe's net worth is 100k (IRA) + 300k (value of house) - 200k (mortgage) = 200k positive net worth.

(Another way of thinking about equity, specifically, is it is the real estate contribution to net worth, because it is what is left when you subtract the real estate liability (mortgage) from the real estate asset (value of house). That's why you shouldn't subtract the mortgage from the equity: equity is what's left after you've already subtracted the mortgage.)

(Edit: Adjusted sign in first equation to subtract mortgage. It's probably more technically accurate to keep it as addition and consider the mortgage to be a negative value, but I believe it's more straightforward and intuitive for most people as it is now represented.)

It's for letters/numbers. The mechanical keyboard community has adopted phrases like "chord" and "arpeggio" because they refer to analogous things in the typing world ("pressing multiple keys at the same time" and "pressing multiple keys in quick succession", respectively).

In keyboards with a limited number of keys (such as in TFA) they become especially crucial to being able to express the full complement of "standard" letters, numbers, and symbols.