Read/watch this interview [1] with Ada Palmer on her new book about the Renaissance. Florence did this for a time.

> You put names in a bag. You examine all of the merchant members of guilds. You choose which ones are fit to serve, meaning not ill and dying, not insane, not so deeply in debt that they could be manipulated by the people whom they owe money to. Their names go in a bag. You choose nine guys at random. They rule the city. They are put in a palace where they rule the city from that tower.

> They’re actually locked in the tower for the duration of their time in office because if they left the tower, they could be bribed or kidnapped. They rule the city for two or three months. At the end, they are thanked for their service and escorted out, and then a different nine guys share power for the next three months. It’s a power sharing that is designed to be tyrant-proof because you need consensus of nine randomly selected guys to decide to do anything.

[1] https://www.dwarkesh.com/p/ada-palmer

Yeah there’s balances to be struck. Tho I would push back a bit on the notion of great works being outdated. Think of them more as having survived the gauntlet of time, crushing generation after generation of newer writing with their undeniable superiority, emerging as the strongest and most adaptable ideas & stories that couldn’t be stopped even by the churn of centuries of change in language, culture, ideologies, wars and more.

Eg Mary Shelley’s Frankenstein will eat alive nearly anything written today, it accurately critiques a future it never saw like a laser beam cutting across time. Few if any works today possess such original and enduring foresight.

This is especially true as a generation of people are now getting deskilled by AI. Even if we have the writers capable of such feats, we likely lack the audience for those works because that requires a societal sophistication we may have lost. And so those works may never be adequately appreciated to let them ever break out of this little moment in time.

The mouse cursor binning special case is starting to look like how animals perceive, where we detect patterns and develop predictive models over time in how they are going to act, and that confidence leads to more deeply encoding those patterns for lower energy usage. Obviously the mouse cursor is a hand-rolled example in a controlled 2d environment, but it makes me wonder what efficiencies lie in identifying patterns in 3d environments once you construct an accurate enough 3d scene out of the images you have.

Do you have other examples of special cases you're looking at? Any 3d ones?

Love the effort here, been thinking about what this kind of tool might look like for a while. Something like this coupled with better prosocial affordances in the medium will do a lot to improve discourse online. I wrote up one a while back [1] but things like that are only a small part of a much bigger picture.

The overall problem needs to be tackled from all angles - poster pre-post self-awareness (like respecify but shown to users before posting), reader affordances to reflect back to poster their behavior (and determine if things may be appropriate in context vs just a universal 'dont say mean words'), after-post poster tools to catch mistakes (like above), platform capabilities like respectify that define rules of play and foster a enjoyable social environment that let us play infinite games, and a broader social context that determine the values that drive all of these.

[1] https://nickpunt.com/blog/deescalating-social-media/

I think you vastly underestimate the importance of fiction. Fiction may be the best canvas for creative and abstract thought, the place where possibility is explored and the 'what' and 'why' is established, without being mired in details. Before we invented things, we thought of things to invent, and in those moments we were writing fiction.

Technical writing is 'how', and that's being absolutely consumed by AI. When AIs can build anything, the question of what we should build and why is the most important.